| Appert, Robert 1925–2016 | Trio für Klavier, Violine und Violoncello (ca. 1983) |
| Allegro Alla marcia funebre Presto |
| Arensky, Anton 1861–1906 | Trio no.1 in d minor, op.32 (1894) |
| Allegro moderato Scherzo: Allegro molto Elegia: Adagio Finale: Allegro non troppo |
| Beethoven, Ludwig van 1770–1827 | Trio in E-flat major, op.1 no.1 (1793/94) |
| Allegro Adagio cantabile Scherzo: Allegro assai Finale: Presto | |
| Trio in G major, op.1 no.2 (1793/94) | |
| Adagio – Allegro vivace Largo con espressione Scherzo: Allegro Finale: Presto | |
| Trio in c minor, op.1 no.3 (1793/94) | |
| Allegro con brio Andante cantabile con Variazioni Menuetto: Quasi Allegro Finale: Prestissimo | |
| Trio in B-flat major “Gassenhauer”, op.11 (1798) | |
| Allegro con brio Adagio Thema: Pria ch’io l’impegno: Allegretto – Var. I-IX | |
| Trio in D major „Ghost Trio“, op.70 no.1 (1808) | |
| Allegro vivace e con brio Largo assai ed espressivo Presto | |
| Trio in E-flat major, op.70 no.2 (1808) | |
| Poco sostenuto – Allegro ma non troppo Allegretto Allegretto ma non troppo Finale: Allegro | |
| Trio in B-flat major “Archduke”, op.97 (1810/11) | |
| Allegro moderato Scherzo: Allegro Andante cantabile ma però con moto. Allegro moderato – Presto | |
| 10 Variations on “Ich bin der Schneider Kakadu” in G major, op.121a (ca. 1803) | |
| Introduzione: Adagio assai Thema: Allegretto Var.I Var.II Var.III Var.IV Var.V Var.VI Var.VII Var.VIII Var.IX: Adagio espressivo Var.X: Presto |
| Ben-Haim, Paul 1897–1984 | Variations on a Hebrew Melody – for violin, violoncello and piano (1939) |
| Adagio misterioso Thème: Moderato e molto tranquillo Var.I Var.II: Allegretto grazioso Var.III: Alla marcia Var.IV: Moderato Var.V: Molto vivace e tempestoso Var.VI: Molto tranquillo |
| Boulanger, Lili 1893–1918 | Deux pièces en trio (1918) |
“D’un soir triste” – Lent, grave “D’un matin de printemps” – Assez animé |
| Brahms, Johannes 1833–1897 | Trio no.1 in B major, op.8 (first version 1854) |
| Allegro con moto Scherzo: Allegro molto Adagio non troppo Finale: Allegro molto agitato | |
| Trio no.1 in B major, op.8 (final version 1889) | |
| Allegro con brio Scherzo: Allegro molto Adagio Allegro | |
| Trio no.2 in C major, op.87 (1883) | |
| Allegro Andante con moto Scherzo: Presto Finale: Allegro giocoso | |
| Trio no.3 in c minor, op.101 (1886) | |
| Allegro energico Presto non assai Andante grazioso Allegro molto |
| Debussy, Claude 1862–1918 | Trio in G, L.3 (1880) |
| Andantino con moto allegro Scherzo. Intermezzo. Moderato con allegro Andante espressivo Finale. Apassionato |
| Dvořák, Antonín 1841–1904 | Trio in f minor, op.65 (1883) |
| I Allegro, ma non troppo II Allegretto grazioso III Poco adagio IV Finale: Allegro con brio | |
| Slavonic Dances op.46 and 72 (1878/1886) (extracts) | |
| 1. B major, op.72/1 (arr. Fabio Tognetti) Odzemek/Molto vivace 2. e minor, op.46/2 (arr. n.n.) Allegretto scherzando 3. c minor, op.46/7 (arr. Gaston Borch) Allegro assai 4. e minor, op.72/2 (arr. F. Tognetti) Allegretto grazioso 5. g minor, op.46/8 (arr. F. Tognetti) Furiant/Presto |
| Felder, Alfred 1950* | Songs of myself (über ‚Leaves of Grass‘ von Walt Whitman) |
| Gál, Hans 1890–1987 | Piano trio in E major, op.18 (1925) |
| I. Tranquillo ma con moto II. Allegro violento III. Adagio mesto – Quasi andante – Allegro ma non troppo |
| Giger, Jannik 1985* | CAPRICE (2013) |
| Greif, Olivier 1950–2000 | Trio for violin, cello and piano, op.353 (1998) |
| 1. De profundis 2. Java 3. Romanze 4. Alla breve |
| Haydn, Joseph 1732–1809 | Trio in e minor, Hob. XV:12 (1788/89) |
| Allegro moderato Andante Rondo: Presto | |
| Trio in D major, Hob. XV:24 (published in 1795) | |
| Allegro Andante Allegro ma dolce | |
| Trio in G major, Hob. XV:25 (published in 1795) | |
| Andante Poco Adagio Finale: Rondo in the Gipsies’ style, Presto | |
| Trio in f-sharp minor, Hob. XV:26 (published in 1795) | |
| Allegro Adagio Tempo di Minuet | |
| Trio in C major, Hob. XV:27 (published in 1797) | |
| Allegro Andante Presto | |
| Trio in E major, Hob. XV:28 (published in 1797) | |
| Allegro moderato Allegretto Finale: Allegro |
| Hefti, David Philip 1975* | Schattenspie(ge)l (2006) |
| 1. Dalla luce all’ombra 2. Dal chiaro all’oscuro 3. Quasi una passacaglia 4. Scherzare col fuoco | |
| Lichter Hall (2012) |
| Henze, Hans Werner 1926–2012 | Kammersonate (1948) |
| I Allegro assai II Dolce, con tenerezza III Lento IV Allegretto Epilogo |
| Ives, Charles 1874–1954 | Trio (1904/11) |
| 1. Moderato 2. TSIAJ (“This scherzo is a joke”). Presto 3. Moderato con moto |
| Kirchner, Leon 1919–2009 | Trio (1954) |
| I II |
| Kreisler, Fritz 1875–1962 | ‘Kleiner Wiener Marsch’ for piano trio |
| Tempo di marcia |
| Mansurjan, Tigran 1939* | 5 Bagatellen (1985) |
| 1. Largo. Misterioso 2. Moderato 3. Allegro 4. Allegro energico – Largo – Tempo primo 5. Moderato |
| Martin, Frank 1890–1974 | Trio on popular irish folk tunes (1925) |
| Allegro moderato Adagio Gigue: Allegro |
| Mendelssohn Bartholdy, Felix 1809–1847 | Trio no.1 in d minor (1839) |
| Molto Allegro agitato Andante con moto tranquillo Scherzo: Leggiero e vivace Finale: Allegro assai appassionato | |
| Trio no.2 in c minor, op.66 (1846) | |
| Allegro energico con fuoco Andante espressivo Scherzo: Molto allegro quasi presto Finale: Allegro appassionato |
| Mozart, Wolfgang Amadeus 1756–1791 | Trio in B-flat major, KV 502 (1786) |
| Allegro Larghetto Allegretto | |
| Trio in E major, KV 542 (1788) | |
| Allegro Andante grazioso Allegro | |
| Trio in C major, KV 548 (1788) | |
| Allegro Andante cantabile Allegro | |
| Trio in G major, KV 564 (1788) | |
| Allegro Andante (theme with variations) Allegretto |
| Pfeiffer, George Jean 1835–1908 | Trio no.2 in d minor, op.103 (published in 1885) |
| I. Allegro moderato II. Scherzo: Presto III. Largo IV. Allegro ma non troppo |
| Piazzolla, Astor 1921–1992 | Las cuatro estaciones porteñas – The four seasons of Buenos Aires (1964-70) (arr. José Bragato) |
| Primavera porteña: Allegro Verano porteña: Allegro moderato Otoño porteño: Allegro moderato Invierno porteño: Lento |
| Rachmaninov, Sergei 1873–1943 | Trio élégiaque in g minor (1892) |
| Ravel, Maurice 1875–1937 | Piano Trio in a minor (1914) |
| I. Modéré II. Pantoum: Assez vif III. Passacaille: Très large IV. Final: Animé |
| Rihm, Wolfgang 1952* | Fremde Szene III (1983/84) |
| Roslavets, Nikolai 1981–1944 | Trio no.4 (1927) |
| I. Moderato con moto II. Allegro vivace III. Lento IV. Allegro risoluto |
| Schnittke, Alfred 1934–1998 | Trio (1985/92) |
| I. Moderato II. Adagio |
| Shostakovich, Dmitri 1906–1975 | Trio no.1 in c minor, op.8 (1923) |
| Trio No. 2 in E minor, op.67 (1944) | |
| I. Andante II. Allegro con brio III. Largo IV. Allegretto |
| Schubert, Franz 1797–1828 | “Sonatensatz” in B-flat major, D 28 (1812) |
| Allegro | |
| Trio no.1 in B-flat major, op.99/D 898 (1827) | |
| Allegro moderato Andante un poco mosso Scherzo: Allegro Rondo: Allegro vivace | |
| Trio no.2 in E-flat major, op.100/D 929 (1827) | |
| Allegro Andante con moto Scherzando: Allegro moderato Allegro moderato | |
| Adagio E-flat major, op.posth.148/D 897 “Notturno” (1827) |
| Schumann, Clara 1819-1896 | Trio g-moll, op.17 (1846) |
| Allegro moderato Tempo di Menuetto Andante Allegretto | |
| Schumann, Robert 1810–1856 | Fantasiestücke a minor, op.88 (1842) |
| I. Romanze: Nicht schnell, mit innigem Ausdruck II. Humoreske: Lebhaft III. Duett: Langsam und mit Ausdruck IV. Finale: Im Marsch-Tempo | |
| Trio no.1 in d minor, op.63 (1847) | |
| I. Mit Energie und Leidenschaft II. Lebhaft, doch nicht zu rasch III. Langsam, mit inniger Empfindung IV. Mit Feuer | |
| Trio no.2 in F major, op.80 (1847) | |
| Sehr lebhaft Mit innigem Ausdruck In mäßiger Bewegung Nicht zu rasch | |
| Trio no.1 in g minor, op.110 (1851) | |
I Bewegt, doch nicht zu rasch II Ziemlich langsam III Rasch IV Kräftig, mit Humor |
| Schönberg, Arnold 1874–1951 | “Verklärte Nacht”, op.4 (1899) (arranged for violin, cello and piano by E.Steuermann) |
| Richard Dehmel (1863-1920) Verklärte Nacht (aus „Weib und Welt“, 1896) Zwei Menschen gehen durch kahlen, kalten Hain; Der Mond läuft mit, sie schaun hinein. Der Mond läuft über hohe Eichen, kein Wölkchen trübt das Himmelslicht, in das die schwarzen Zacken reichen. Die Stimme eines Weibes spricht: Ich trag ein Kind, und nit von Dir, ich geh in Sünde neben Dir. Ich hab mich schwer an mir vergangen. Ich glaubte nicht mehr an ein Glück, und hatte doch ein schwer Verlangen nach Lebensinhalt, nach Mutterglück und Pflicht; da hab ich mich erfrecht, da ließ ich schaudernd mein Geschlecht von einem fremden Mann umfangen, und hab mich noch dafür gesegnet. Nun hat das Leben sich gerächt: Nun bin ich Dir, o Dir begegnet. Sie geht mit ungelenkem Schritt. Sie schaut empor; der Mond läuft mit. Ihr dunkler Blick ertrinkt in Licht. Die Stimme eines Mannes spricht: Das Kind, das Du empfangen hast, sei Deiner Seele keine Last, o sieh, wie klar das Weltall schimmert! Es ist ein Glanz um alles her, Du treibst mit mir auf kaltem Meer, doch eine eigne Wärme flimmert von Dir in mich, von mir in Dich. Die wird das fremde Kind verklären, Du wirst es mir, von mir gebären; Du hast den Glanz in mich gebracht, Du hast mich selbst zum Kind gemacht. Er faßt sie um die starken Hüften. Ihr Atem küßt sich in den Lüften. Zwei Menschen gehen durch hohe, helle Nacht. |
| Takemitsu, Tōru 1930–1996 | Between Tides (1993) |
| Tschaikowskij, Piotr Iljitsch 1840–1893 | Trio in a minor, op. 50 (1882) |
| I. Pezzo elegiaco: Moderato assai – Allegro giusto II. A. Tema con Variazioni: Andante con moto B. Variazione Finale e Coda: Allegro risoluto e con fuoco – Andante con moto |
| Vasks, Pēteris 1946* | Episodi e Canto perpetuo (Hommage à O.Messiaen) (1985) |
| I. Crescendo II. Misterioso III. Unisoni IV. Burlesca I V. Monologhi VI. Burlesca II VII. Canto perpetuo VIII. Apogeo e Coda “In 1985 I wrote my piano trio Episodi e canto perpetuo. It describes a difficult journey through the realms of distress, disappointment and the suffering in love which in particular forms the central point of the canto. Episodio I (crescendo): The even dynamic build-up slowly leads to an atmosphere of tension. Episodio II (misterioso): A glance at the sleeping earth in a soundless night. Episodio III (unisoni): A masked dance before the background of a fantastic landscape. Episodio IV (burlesca I) is based on a vigorous and abrasive theme. The contrasting middle section is bitterly ironic. Episodio V (monologhi): an attempt to understand and recognize all that has happened. Episodio IV (burlesca II): The tableaux of Episodio IV returns with heightened intensity and agression, the gloomy climax of the work. Movement VII (canto): A broadly spanned melody in the violin stands alone, while the climax becomes weak and pallid. The melody is continued by the cello and then by both string instruments in octaves. Movement VIII (apogeo e coda): The emotional climax of the work. The violin and cello sing in an exposed pitch range, accompanied by spacious piano chords. The intensity lessens consistently, the tone colour becomes increasingly softer, brighter and higher. The eight movements of this piece should be played without a pause. Episodi e canto perpetuo is dedicated to Olivier Messiaen in remembrance of this great twentieth century composer.” |
| Veress, Sándor 1907–1992 | “Tre quadri” for piano trio (1963) |
| 1. Paysage de Claude Lorrain: Con moto 2. Et in arcadia ego: Quieto 3. Der Bauerntanz: Tempo giusto |
| Yun, Isang 1917–1995 | Trio (1972/75) |